To regard these paintings is to participate in an act of translation – to move from a map, a diagram, archaeology of overlapping circuits, into an experience. Jaudon is concerned with setting up the conditions of observation, showing the viewer how to look, not what to see.
This video has made me think about experience vs. our memory of the experience and how this relates to happiness. Not only does our mind spend a lot of time playing these memories over and over but we are also concerned with making future memories or avoiding unpleasant future memories.
Comparing one-week and two-week vacations in the same place:
“For the remembering self, the two week vacation is barely better than the one week vacation because there are no new memories added. You have not changed the story. Time is actually the critical variable that distinguishes our remembering self from our experiencing self. Time has very little impact on the remembered story.”
“We actually don’t choose between experiences; we choose between memories of experiences. And even when we think about the future, we don’t think about future experiences. We think of our future as anticipated memories. You can look at this as the tyranny of the remembering self, and you can think of the remembering self dragging the experiencing self through a set of experiences it doesn’t need. I have the sense that when we go on vacations, this is very frequently the case. We go on vacations in the service of the remembering self.”
Daniel De La Harpe Golden said: